Like about each cutting edge pop star, Ariana Grande has danced from class to kind throughout her vocation, effortlessly falling the separation between the steroidal EDM of “Break Free” and the casual reggae of “Side to Side,” the cut Eighties fly of “Affection Me Harder” and the raging place of “Into You,” the hip-bounce soul of “The Way” and the retro-soul of “Perilous Woman.”
Be that as it may, with her new collection Sweetener, she set her sights on overcoming trap, the Southern hip-jump variation characterized by sludgy, savage basslines and nervous swarms of drum programming. Grande is only the most recent Top 40 star to recognize this sound — see Selena Gomez’s “Fixation,” Taylor Swift’s “End Game,” Demi Lovato’s Tell Me You Love Me and Kelly Clarkson’s “Affection So Soft” and “Entire Lotta Woman.” The mass grasp of the trap layout exhibits the surprising degree to which an once-specialty style presently runs current generation.
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